Wednesday, 25 April 2012
Friday, 20 April 2012
Notes from tutorials
The workshop: Potential of digital printers. Does it all just need to be fabric based? The use of latest printing fabric technology. This will allow the gallery space upstairs to be used as a workshop as well if it needs to be.
The wall can be a digital wall for advertisement and work created from the workshops. The space should be partly corten partly digital.
The basement staircase: lights going up the stairs: REM KOOLHAAS / OMA - EDUCATORIUM
The staircase should be brightly coloured. MVRDV: The Why Factory Tribune:
RNIB:www.rnib.org.uk Use of bright bold colours. Contrasting for people who are poor sighted.
The wall can be a digital wall for advertisement and work created from the workshops. The space should be partly corten partly digital.
The basement staircase: lights going up the stairs: REM KOOLHAAS / OMA - EDUCATORIUM
The staircase should be brightly coloured. MVRDV: The Why Factory Tribune:
EuraLille: 
Snohetta: Bolgen & Moi Tjuvholmen
Tashen Museums and Tashen retail
Peter Pran
Asymtote Architecture: Bridge
The relation between the box and the sinuous is key. Potentially the box is the element to live in and the sinuous becomes the objects inside. The taps, sinks, bars, etc. The interior should be re-jigged to allow for this. The interior cross can be tilted at an angle to crash through the space more.
Entrance Design is key.
The use of translucent wood for interior. Different tables and chairs that work with the sinuous idea.
Sensitivity like
CHAPEL DU NOTRE DAME DU HAUT, LE CORBUSIER, RONCHAMP, FRANCE, 1954
See through venues and the creation of sensitivity on the inside.
Mathieu Lehanneur:
Choir of Saint-Hilaire Church
Takeshi Hosaka Architects:
Office dA
Ben Kelly Design:
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